Arianna Smaron
Portfolio 2016 - 2018



Polish-Italian graphic designer currently
living and freelancing in Basel CH and collaborating
with Yann Patrick Martins for indipendent projects
and commissions for digital and printed media. 
BA in visual Communication at ISIA Urbino and MA in
Visual Communication at the Basel School of Design
HGK FHNW CH
.

This website collect mainly projects from the last two 
years, older projects will be added to the archive 
in the next future.

The projects are organized by complexity,
The Extra-Large are the projects which 
required few
months of work & /or are 
still in development.
The smaller 
projects are as important but are 
smaller in terms of time production.


X - Extra Large ••••
  1. In the process of liquefaction/
    video
    installation 
  2. In the process of liquefaction/
    risograph booklet
  3. In the process of liquefaction/
    process book and theory
     
  4. A Transitory Collection 
  5. Spoglie publication 

L - Large •••
  1. A Prison’s Signage System
  2. Light & Heavy book 
  3. Experimental Exhibition Catalogue 

M - Medium ••
  1. Li Bai poetry a Chinese English Play
  2. Poster “Schrechlick Wunderbar”
  3. Icelandic book “Vinir Ferguson” 

S - Small
  1. FHNW Business illustrations
  2. Pattern&Patterns
  3. ”Der Tunnel” Film poster
  4. Waiting for 11:00

Exhibited projects

Archive
Mark





S/L - 2018 •/•••

Experiments between concept and print 


This page will be uploaded from time to time with new experiments in silkprint or handmade/ digital visual productions.


1. Black Box poster concept

Poster experiments in collaboration with Yann Patrick Martins with 3D shapes about the topic of Black Box and Artificial Intelligence.
How can be visually shown the concept of black box? What is the hidden part in between of the process of input-output production? 
A question which we are still trying to experiment with through the medium of static or (soon) moving images.



CH / 2018
Printed A2 Printed version of the poster




2. Graveyard Typeface  

Development of a Typeface inspired by a graveyard inscription found in the Cemetery of Basel (Dreispitz) 
The Typeface, is an on going project in development during the class of Type-design at SFG by Matthias Pauwels. 



CH / 2018
Picture The Original Graveyard as an inspiration of the Typeface


The interesting aspect of the typeface are the high junctions visible especially in the letters E, R and G. 
The font keeps the characteristics of the orginal inscription such as the iregular terminations as well as the constant change of high of part of the metnioned letters in a range of variable glyphs.


CH / 2018
Screenshot Some Glyphs still on the process of making




3. Silkprint whale collection    

In a series of Silkprints it is questioned the medium as expression of the figurative representation of an image.
The color and the movement of the tools


CH / 2017
Technique Silkprint on paper and metal








! New experiments coming soon !
Mark